Blogs

Our new audio-visual installation Zandloper [Hourglass] and A World are part of the exhibition 'i will not be just a tourist in the world of images just watching images passing by which i cannot live in make love to possess as permanent sources of joy and ecstasy', a group exhibition of five artists: Hee-Seung Choi, Claire Harvey, Ben Pointeker, Andrea Božić and Julia Willms.

Opening: Friday, 22 March 2019, 20.00 hrs
with performance ‘LIVE RADIO DRAMA’ by Hee - Seung Choi

Exhibition: 23 March – 20 April 2019
Arti et Amicitiae, Amsterdam (NL)
Rokin 112, 1012 LB Amsterdam
More info here

I am very happy to invite you to our new performance in collaboration with the Moon, the Sun and the Earth. Especially for the occasion of the exhibition Painting the Night at the Centre Pompidou Metz, we have prepared a new winter spectacle featuring a total eclipse of the moon: Orange Night.

For this performance, the Moon, the Earth and the Sun align in a perfectly straight line in the early hours of the 21st of January 2019 performing a total eclipse of the Super Blood Moon. For this dance, the Moon comes to its closest approach to the Earth. The Earth passes between the Sun and the Moon casting its shadow over the Moon - temporarily disrupting the coming of the light. We see the Moon’s dark side. The Moon turns blood-orange - Mars-like for a while. Darkness turns orange.

Orange Night is a slow-motion immersive durational spectacle visible to the naked eye simultaneously to many viewers.

The choreography is based on a mathematical score. It is an episode in a larger series of our lunar eclipse performances titled Saros 134 taking place since 1 April 1550 and ending on 28 May 2030. This is episode number 27 out of 72. The next upcoming performance with the same geometry and similar geography takes place on 22 February 2073.

Orange Night is a ritual of endings and beginnings, darkness and illumination.

It features prime time for rituals of prophecy, protection and divination. The good and bad deeds one does during this performance are multiplied tenfold. Those who pray will have no troubles this year. The full moon energy is available three days before and three days after the event. Consider carefully what you wish for and write it out beforehand. For security reasons, there will be an increased presence of the police in the streets as the performance intensifies behavior.

Take a moment to revel in the dark: 21 January 2019.

Seats for the performance in the Earth’s shadow are unlimited but visibility depends on your area. The premium seats for the performance are in North America, South America, the eastern Pacific Ocean, western Atlantic Ocean, extreme western Europe and extreme western Africa.

Seat distribution map here


Performance times for Europe:

Monday, 21 January 2019

Beginning: 4:33
Peak: 6.12
End: 7:50


The piece begins at 4.33 as a tribute to John Cage’s piece 4.33.

Local times vary.
For the precise schedule and more information on your viewing location click here
 

Entrance: free. Latecomers admitted
Best viewing conditions: Outdoors, in the dark, in clear skies.
Dress code: warm clothes and a blanket
Viewing instructions: the spectacle is visible to the naked eye

Join the special guided viewing within the frame of the exhibition Painting the Night at the Centre Pompidou Metz guided by Andrea Božić and Billy Mullaney. An outdoor walk deep in the night of the 21st of January 2019 and breakfast afterwards. Meeting point: Centre Pompidou Metz, time 4.30-6.30 Bring warm clothes with you! Blankets and breakfast are provided.

For more information on how to attend the live viewing click here

Watch the preview trailer here

Watch the documentation of a previous performance here

Cloudy where you are? Follow our online live stream from various locations on the Earth here

Orange Night is an immersive durational spectacle for three celestial bodies and an observer that deals with the questions of drama, control, authorship, solarization, darkness and illumination, transformation, personal responsibility and engagement in space-wide events.

This is the fifth performance in the series of our collaborations with the night sky titled: Night Sky: Further Investigations Into Choreography, part of a larger series of collaborations with the weather titled Telling Future.


From the press:

‘When the lights, the Sun and the Moon are ‘eclipsed’, we are in the dark and events are hidden and shadowy. Secrets emerge and what’s unknown comes to light.’

‘Stunning and awe-inspiring.‘

‘You get a true sense of the solar system moving – and that in itself is a really dramatic experience.’

Enjoy the darkness.

 

Follow these links for our other performances in collaboration with the weather and the night sky
 


Credits:
Concept and choreography: Andrea Božić and Julia Willms in collaboration with the Moon, the Sun, the Earth and the weather Guides: Andrea Božić and Billy Mullaney

Produced by TILT at the invitation and with the financial support of the Centre Pompidou Metz.

 

 

 

 

 

 

 

 

 

 

PoroCity journeys further through the city. After the Orphanage House by Aldo van Eyck, Frascati and ROC TOP NDSM school, a special version for Huize Frankendael – the only remaining 17th century estate of Amsterdam. On 8 and 9 October 2018, the whole building and the gardens become part of the performance. PoroCity takes the audience through a labyrinth of spaces inside and outside. In collaboration with the Frankendael Foundation and Frascati. More info here

PoroCity is back at the Huize Frankendael for the Museumnacht Amsterdam 2018 with a special programme in collaboration with Suzanne Sanders and the Frankendael Foundation on 3 November 20.00-02.00.

Porous Night at Huize Frankendael programme:

20.00 & 20.30 Curator's tour (guided tour)
Julia Mullié, curator of the exhibition The Image of a Private Collection, will give two guided tours of the exhibition in collaboration with the Young Collectors Circle.

21.30 & 22.30 & 23.30 & 00.30 PoroCity (performance)
Andrea Božić and Julia Willms | TILT take the visitors on a PoroCity journey: they weave the dreams collected from various people into the building of Huize Frankendael merging the dreams, the building, its gardens, the audience, the present and the past, other artworks and accidental passers by, fiction and parallel realities into the performance. With Matthew G Day and Julia Willms (performance), Robert Pravda (sound installation), Paul Beumer (light installation)

20.00-02.00 Through the Looking Glasses (audio-visual installation, ongoing)
Enter the light and sound installation based on Ganzfeld effect by Andrea Božić, Julia Willms and Robert Pravda | TILT and subdue yourself to a no-space experience. The eyes see no visible borders of the space, the ears hear no recognisable sound of the environment – the body enters a no-space. A similar training is undergone by astronauts preparing for travel in outer space.

20.00 - 02.00 Billy Mullaney: Welcome, I Have Been Expecting You (performance)
Evoking Frankendael’s historic garden hermit, tonight’s Garden hermit, Billy Mullaney, will be conducting one-on-one oracular performances in a secret location on the grounds of Huize Frankendael. You will be guided there by a stranger when it is your turn. Garden hermits were hermits encouraged to live in purpose-built hermitages or rockeries on the estates of wealthy land-owners during the 18th century. Encouraged to dress like druids and remain permanently on site where they oculd be fed, cared-for and consulted for advice or viewed for entertainment.

22.00-1.00 DJ Gleemaiden (Áron Birtalan)
Bitter-sweet dance tunes & 80's synth by Gleemaiden in the Koetshuis. Gleemaiden is Áron Birtalan: an artist, musician and part-time druid based in Amsterdam. Drowned in walls of reverb, shrouded in veils of echo, Gleemaiden's sets are harbingers of bittersweet dance tunes. Lush weeps, spellbinding rhythms and other curious sounds from an antique future. Oh, and cheap claps.

All night: vegetarian goodies by Huize Frankendael, restaurant Merkelbach - Pearl barley risotto with pumpkin and black kale chips.

All night: Huize Frankendael - the building and its gardens: the last 18th century estate house of Amsterdam

Tickets: https://museumnacht.amsterdam/tickets/

PoroCity continues travelling throug the city and is part of this years Over het IJ Festival 20-22 July! At Over het IJ we perform PoroCity in a school building which hosts higher vocational education in trade and health care. The building is only two years old and is in the area of rapid urban development: from the school building we move out into the yacht haven, the industrial terrain and the new apartment blocks emerging as we walk through it. The whole building and its surrounding become part of the performance.

More info and tickets here
 

20 July at 19.00 and 21.30

21 July at 16.30 and 21.30

22 July at 16.30

 

PoroCity is back at the Burgerweeshuis by Aldo van Eyck especially for the Grand Opening of the GET LOST - art route 2018 as part of the opening weekend of the Public Art Amsterdam: Pay Attention Please! supported by the BPD Gebiedsontwikkeling! On 22, 23 & 24 June, the whole building once again becomes part of the performance.

FREE ENTRANCE | RESERVE: The entrance is free but it is necessary to reserve the ticket beforehand by sending an email to reservations@getlost-artroute.com with date, time, and number of people. There is limited capacity.

Facebook event here

Dates & times:
- Thursday July 22, 20:00 (fully booked)
- Friday July 23, 18:30 & 21:00
- Saturday July 24, 18:30 & 21:00

More information about GET LOST Art route

More information about Public Art Amsterdam

'As a spectator and a 'walker’ you experience a strange mix of personal memories, your own social and historical references and associations, combined with the wonderful logic of dreams that have their own architecture.' ★★★★ Theaterkrant

The performance is in English.

 

PoroCity is back at the Burgerweeshuis by Aldo van Eyck especially for the Grand Opening of the GET LOST - art route 2018 as part of the opening weekend of the Public Art Amsterdam: Pay Attention Please! supported by the BPD Gebiedsontwikkeling! On 22, 23 & 24 June, the whole building once again becomes part of the performance. More information here

FREE ENTRANCE | RESERVE:
----------------------------
The entrance is free but it is necessary to reserve the ticket beforehand by sending an email to reservations@getlost-artroute.com with date, time, and number of people. There is limited capacity. Facebook event here

'As a spectator and a 'walker’ you experience a strange mix of personal memories, your own social and historical references and associations, combined with the wonderful logic of dreams that have their own architecture.' ★★★★ Theaterkrant

The performance is in English.

Dates & times:
- Thursday July 22, 20:00 (fully booked)
- Friday July 23, 18:30 & 21:00
- Saturday July 24, 18:30 & 21:00

Very happy to announce The Cube is part of this year's Oerol Festival! Join us at the Terschelling Island at the Expeditions programme 16-24 June 2018. Location: Terschelling Oost: K. de Stoek

More information about the programme and how to get there here

Read about The Cube here   Watch The Cube trailer here

 

 

Frascati is hosting a special programme of talks with invited guests around the questions of space and porosity on 2 and 3 May at 20.00, as part of the PoroCity evenings.

In the two discussions following on from PoroCity, we will be investigating the porous third space forged and evoked in PoroCity. What are the possibilities for filling this space anew; for arriving at a new imag(in)ing? We will probe the relationship between architecture and dreams – between the psychology of a city and urban designs for this. We will discuss the criteria and associative designations used to refer to an area, a building and the hyper-individual experience of these.

· Dream Logic - On 2 May, together with Erik Willems and Liesbeth Groot Nibbelink, we will be examining what happens when we take the organic structures and the logic of dreams seriously as a way of thinking about our relationship to our surroundings; the structures we build, nature and one another. What happens if we claim the domain of dreaming as a way of reimag(in)ing the here and now? We will also discuss the porous relationship between artist and audience, between art and the public space: how does this third space arise, through art?

Erik Willems is a hypnotherapist and NLP trainer with his own practice in Amsterdam: Hypnoworks. He also teaches and gives various workshops, lectures and training courses. His background is in the theatre: as an actor and theatre-maker, he has created and/or performed in various productions with Toneelgroep Amsterdam, NNT and Stichting Nieuwe Helden, among others.

Dr. Liesbeth Groot Nibbelink is a teacher and researcher in Theatre Studies at the University of Utrecht and an editor for the scenographers’ network Platform Scenografie [Scenography Platform]. She is also involved in (PhD) research into ‘nomadic theatre’, as part of which she is investigating different forms of mobility and uses of space in contemporary (location-specific) theatre.

· Urban Environment and Mental Mapping – how can we redefine our urban environment on the basis of a psychological approach to space?
The discussion on 3 May will concentrate on the relationship between social processes and urban development, between imag(in)ing and architecture. We will talk with urban psychologist Sander van der Ham and Charlie Clemoes (Faile Architecture) about the identity of the urban environment and the process of Mental Mapping: the hyper-individual selective representation of reality. How do you experience a space, an area, the city? How does perception of the city take place and how does architecture relate to perception, and to the psychology of the city? This time, we will claim the space to investigate whether it is possible to redesign the urban space.

Sander van der Ham works as an urban psychologist and advisor throughout the Netherlands, including for urban consultancy STIPO and ‘sense of home’ specialists Thuismakers Collectief [Homemakers Collective]. His research and expertise operate particularly at the intersections of developments in cities and psychology, community building and residents’ participation, the sense of home and public space. He co-authored the book ‘De stoep, ontmoetingen tussen huis en straat’ [‘The Sidewalk: meetings between home and street’], which sees the sidewalk as a space where a liveable, pleasant city begins.

Charlie Clemoes writes and talks about architecture, culture and social issues. Originally from England, he now lives and works as a writer in Amsterdam. He is the editor of Failed Architecture and part of Amsterdam-based art&design platform fanfare, where he develops podcasts. He also works as a ‘Cultural Streetscaper’ with Kantar Futures.

Aukje Verhoog (dramaturge and Fringe Director Amsterdam Fringe Festival) will moderate both evenings.

More information here

A special version of PoroCity at the Frascati on May 2 & 3: the performance does not take place on stage but the whole building becomes part of it. PoroCity takes the audience on a journey through the labyrinth of stages, backstage spaces, offices and hallways. We will be moving through the spaces of Frascati and around it the way we normally do not. An extended PoroCity programme includes the installations Through the Looking Glasses and Rapid Air Displacement Nr. 3 and two evenings of PoroCity talks with invited guests. More info and tickets here

PROGRAMME 2 & 3 MAY - FRASCATI:

18:30 & 21:30
POROCITY
a performance by Andrea Božić and Julia Willms

ongoing
THROUGH THE LOOKING GLASSES
an extended version of the installation based on Ganzfeld effect (no space experience)
by Andrea Božić,  Julia Willms and Robert Pravda

ongoing
RAPID AIR DISPLACEMENT Nr. 3
a sound installation by Robert Pravda

20:00
(following the 18:30 performance)
CONVERSATIONS AROUND SPACE AS AN ORGANISM

two evenings of talks with invited guests moderated by Aukje Verhoog:

- 2 May - Dream Logic
Together with Erik Willems and Liesbeth Groot Nibbelink, we will be examining what happens when we take the organic structures and the logic of dreams seriously as a way of thinking about our relationship to our surroundings; the structures we build, nature and one another. What happens if we claim the domain of dreaming as a way of reimag(in)ing the here and now? We will also discuss the porous relationship between artist and audience, between art and the public space: how does this third space arise, through art?

- 3 May - Urban Environment and Mental Mapping
How can we redefine our urban environment on the basis of a psychological approach to space? The discussio will concentrate on the relationship between social processes and urban development, between imag(in)ing and architecture. We will talk with urban psychologist Sander van der Ham and Charlie Clemoes (Faile Architecture) about the identity of the urban environment and the process of Mental Mapping: the hyper-individual selective representation of reality. How do you experience a space, an area, the city? How does perception of the city take place and how does architecture relate to perception, and to the psychology of the city? This time, we will claim the space to investigate whether it is possible to redesign the urban space.

PoroCity
Andrea Božić and Julia Willms | TILT

PoroCity is a performance as a journey based on mapping dreams into special architectural locations. The familiar but elusive logic of dreams merges with everyday reality and, in their overlap, a third space emerges – a porous space we do not know yet. A space where anything is possible.

PoroCity weaves the dreams collected from various people into a larger dream narrative. Two performers alias ‘dreamers’ lead the audience through a labyrinth of spaces and map the dreams as though they take place in the here and now. PoroCity moves through a series of special architectural buildings as a living organism, in Amsterdam and further, such as Burgerweeshuis designed by Aldo van Eyck, Frascati Theatre and other iconic locations. Each location is a unique experience where the dreams, the location, the building, the audience and the space itself are woven into each other and become part of the performance. The whole series becomes a performance in itself: a unique journey through the city.

Until spring 2019, PoroCity will appear on a series of special and unexpected locations in Amsterdam, Netherlands and internationally. Check the Calendar for dates

Première of the new performance PoroCity by choreographer Andrea Božić and visual artist Julia Willms at the Burgerweeshuis (Orphanage) designed by Aldo van Eyck in collaboration with BPD and Frascati in Amsterdam with a tour along a series of special locations in the city and further. Premiere at the Burgerweeshuis 24-25 March 2018 and Frascati 2-3 May 2018. Tickets via Frascati

PoroCity is a performance as a journey based on mapping dreams into special architectural locations. The familiar but elusive logic of dreams merges with everyday reality and, in their overlap, a third space emerges – a porous space we do not know yet. A space where anything is possible.

PoroCity weaves the dreams collected from various people into a larger dream narrative. Two performers alias ‘dreamers’ lead the audience through a labyrinth of spaces and map the dreams as though they take place in the here and now. PoroCity moves through a series of special architectural buildings as a living organism, in Amsterdam and further, such as Burgerweeshuis designed by Aldo van Eyck, Huize Frankendael, Frascati Theatre and other iconic locations. Each location is a unique experience where the dreams, the location, the building, the audience and the space itself are woven into each other and become part of the performance. The whole series becomes a performance in itself: a unique journey through the city.

PoroCity premieres at the Burgerweeshuis (Orphanage) designed by the Dutch designer Aldo van Eyck and further appears on a series of special locations in Amsterdam, Netherlands and internationally and is on tour until March 2019.

Performance dates PoroCity:
•    21 & 23 March try-outs, 20.30 hrs, 24 (première) & 25 March 2018 at 18.30 and 21.00 hrs (tickets via Frascati)
•    2 & 3 May Frascati Theatre, Amsterdam (two performances a day)
•    June 2018 Zagreb Dance Week Festival
•    June/September 2018 Burgerweeshuis in collaboration with GET LOST, Amsterdam
•    20-22 July Over het IJ festival, Amsterdam
•    13-15 December La Casa Encendida, Madrid
•    February 2019 Theater Ins Blau, Leiden

Further dates and info: Calendar and FB TILT

Credits: Concept, script, choreography and space: Andrea Božić and Julia Willms; Performers: Matthew Day and Julia Willms; Light: Vinny Jones: Sound: Robert Pravda; TILT management and production: Marieke van Beuren; Technician: Paul Beumer; Publicity: Daisy Benz Thanks to Mala Kline and all the dreamers who have shared their dreams with us

Produced by TILT, residency: Kunstcentrum BUDA. The performance is made possible by the financial contribution of the Performing Arts Fund (Fonds Podiumkunsten), the Amsterdam Fund for the Art (Amsterdams Fonds voor de Kunst), Prins Bernhard Cultuurfonds, Stadsdeel Oost and the SED. Thanks to Frascati and BPD.

The Burgerweeshuis (Orphanage) (1960) was designed by one of the most famous 20th century Dutch architects Aldo van Eyck to provide accommodation for 125 orphans. The building looks like a casbah or a labyrinth, composed of innumerable interior and exterior spaces interconnected in a complex order and merging into one another almost imperceptibly. In Van Eyck’s vision, the private and the collective were closely linked and the boundary between the building and the city had to be broken down. The Burgerweeshui has just undergone a major restoration and transformation and will soon be open to the public.

BPDis one of the largest European area developers and has been investing in art and culture for decades. BPD has made the Burgerweeshuis available to PoroCity.