Spectra movement class

An evening delving into unverifiable reality with guests: performance by Tchelet Pearl Weisstub, a marathon of Tarot readings by Billy Mullaney, a pseudo-interactive installation by Andrea Božić and Julia Willms and a response and conversation with Konstantina Georgelou.
At Spectra | Studio, Marci Panis, Marcusstraat 52 | 1D, Amsterdam
Saturday, 7 December 2019 at 19.00 hrs

Note (!): Billy’s Tarot readings start already the night before and take place for 28 continuous hours, every half hour from Friday 6 December at 20.00 to Saturday 7 December at midnight. Please check availability via this link and reserve your preferred time slot by sending an email to billymullaney@gmail.com

Spectra | Salon: Unverifiable Reality

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Entrance free. Donations welcome.

Updates via this link
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Programme

Beginning: 19.00 hrs

Future Present by Tchelet Pearl Weisstub with Haian Arshied
Performance at around 20.15

Welcome, I Have Been Expecting You – the hermit crossed with the three of cups by Billy Mullaney
Tarot readings, one-to-one durational performance – ongoing from 6 December at 20.00 to 7 December at midnight (every half hour for 28 hours)

Zandloper (Hourglass) by Andrea Božić and Julia Willms
Audio-visual installation – ongoing

A response and a conversation with Konstantina Georgelou and the artists
Around 21.00
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Welcome, I Have Been Expecting You - the hermit crossed with the three of cups by Billy Mullaney

I have read tarot cards for over twelve years, but only recently initiated a dramaturgical analysis of tarot readings as a performance practice, and even more recently was convinced to situate this practice in aesthetic spaces such as visual art galleries or theatres.

Of course all reality is unverifiable--however, tarot cards are perfectly suited (no pun intended) to take advantage of this condition. They encourage syllogistic thought by presenting a recombinant set of images, idioms, and statements that we commit to reading as self-representational.

Like any projective test, the mode of spectatorship promotes a gaze that unfolds and immediately prunes a web of connotations from its dense, arbitrary (but not random) symbology.

Unlike a projective test, it is spooky.

"Unverifiable Reality" points to a crucial mechanism of tarot readings as a site of performance. Because it's unverifiable, we are able to individually commit to reading each spread--after all, the unverifiable is also un-disprovable.

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Future Present by Tchelet Pearl Weisstub with Haian Arshied

These days, together with Haian Arshied (a musician I have been working with for the past few years), I am developing an immersive sculpture and performance called: Future Present. In the coming Salon we will share the first baby steps of this new work.
Haian will be playing a theremin on low frequencies from The Schumann resonances spectrum (7.38 HZ- 30 HZ) that are a set of peaks in the Earth's electromagnetic field. At the same time I will be amplifying the sound of my now pregnant body.

In our research, we summon ancient female deities in order to help us evoke a cyclical and maternal experience of time. We do this in order to counter an accelerating experience of time in which the landscape is increasingly occupied with Earthing Technologies. (Innovations that attempt to regulate environmental changes).

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Zandloper (Hourglass) by Andrea Božić and Julia Willms

Glass is made of sand. Windows are made of sand. Bulbs are made of sand. Wineglasses are made of sand. Concrete is made of sand. Asphalt is made of sand. Roads are made of sand. Parking lots are made of sand. Runways are made of sand. Swimming pools are made of sand. Railroads are made of sand. Walls are made of sand. Houses are made of sand. Buildings are made of sand. Electronics are made of sand. Cellphone screens are made of sand. Monitors are made of sand. Beaches are made of sand. Coasts are made of sand. Sea bottom is made of sand. River bottom is made of sand. Sand castles are made of sand. Sand play is made of sand. Filtration in water-treatment facilities is made of sand. Septic systems are made of sand. Paint is made of sand. Nail polish is made of sand. Solar panels are made of sand. Wind turbines are made of sand. Billion dollar business is made of sand.

Produced by TILT. Spectra | Salons are made possible by the financial contribution of the Gemeente Amsterdam / Stadsdeel Oost. Supported by Marci Panis.

How To Exit a Reality at Postdramatic Theatre Worldwide - Academy of Arts Berlin

How To Exit a Reality - A new performance in collaboration with the Moon by Andrea Božić and Julia Willms | TILT in collaboration with Billy Mullaney

We are presenting a new performance within the framework of the Post Dramatic Theatre Worldwide conference at the Academy of Arts in Berlin on the occasion of 20 years of the publication of Hans Thies Lehmann's influential book Post Dramatic Theatre. We are also taking part in the panel on the Artistic Positions Towards the Post Dramatic with Andrea Božić, Luciano Cáceres, Alexander Karschnia, René Pollesch, Falk Richter, Moderation: Bettina Masuch - full programme here

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Performance:

For the occasion of this conference and to celebrate the anniversary of the Post Dramatic Theatre book, we have prepared a special spectacle in collaboration with the Moon and the night sky. Especially for the occasion, we have prepared the exact same night sky image here in Berlin as it was in 1696, the year of the founding of the Academy of the Arts which is hosting the conference. Today, the moon is in the exact same phase (waning crescent) in the exact same spot in the sky and against the backdrop of the exact same constellation of the stars, making the exact same replica of the night sky as it was on 23 November 1696 – 323 years ago.

For the performance, we have collected real nighttime dreams, memories, scientific facts and future projections and woven them into a tapestry. The performance is based on the Metonic score: the Moon's 19 year cycle where the Moon returns to exactly the same place in the sky with the same phase every 19 years. How To Exit a Reality (Attempt 1 of 19) is the very first version and an excerpt from what is to become a larger durational performance in collaboration with the moon.

Postdramatic Theatre Worldwide

Symposium

In 1999 Hans-Thies Lehmann’s ground-breaking essay Postdramatic Theatre was published, which provided an academic contextualisation – in concrete and accessible language – of the transformations underway in Western theatre since the late 1960s, of its expanded artistic means and of new approaches to the present-day in a world of rapidly shifting media and politics. The book was understood worldwide as an impetus for cultural opening. The symposium discusses the international resonance and perspectives of post-dramatic theatre in science and the arts.

Spectra | Salon: Unverifiable Reality

With the works by Tchelet Pearl Weisstub, Billy Mullaney, Andrea Božić and Julia Willms and a response and conversation with Konstantina Georgelou.

07 Dec

location:

Marci Panis, Amsterdam

Read more about Spectra | Salon: Unverifiable Reality

Postdramatic Theatre Worldwide

Conference participation and panel talk on the occasion of the 20 years of the publication of the Postdramatic Theatre by Hans-Thies Lehmann. Panel talk with Andrea Božić, Luciano Cáceres, Alexander Karschnia, René Pollesch, Falk Richter, Moderation: Bettina Masuch

22 Nov to 23 Nov

location:

Akademie der Kunste Berlin